MUS 329G - Intermediate Electronic Composition

MUS 329G -- Unique numbers 21635 & 21640
Intermediate Electronic Composition

Meets: TU-TH 11-12:20 and 12:30-1:50 in MRH 4.170
Spring Semester, 2009

SYLLABUS

I. INSTRUCTOR: Justin Sharp

Office Hour: T/TH, 10:00-11:00 or by appt, EMS2
Email: jussharp@yahoo.com
Phone: 447-3556

Teaching Assistant: Zack Wilson

Email: zwilson4@mix.wvu.edu
Phone: 724 317-6518

II. MATERIALS:

Flash drive – I recommend at least 2 Gb, but more might be better

III. RECOMMENDED TEXT:

Samuel Pellman, Introduction to the Creation of Electroacoustic Music (Wadsworth Press, 1994)

(This text will be used sparingly, if at all.  It is not required, but might be useful for reference purposes.  It is available on Amazon or other online retailers.)

IV. SUPPLEMENTARY TEXTS: (on permanent reserve at the Fine Arts Library)

  • Simon Emmerson, The Language of Electroacoustic Music (Harwood Academic Press, 1986)
  • Joel Chadabe, Electric Sound: The Past and Promise of Electronic Music (Prentice Hall, 1997)

V. COURSE DESCRIPTION AND OBJECTIVES:

This is a composition-based course.  The theory and techniques learned in 329E will be further developed, and used in 329G to create your compositional projects and final composition.  Lectures will consist largely of listening and discussion of selected pieces of electroacoustic music.  In addition to lectures, there will be lab sessions.  For most weeks, lectures will meet on Tuesdays and lab sessions will meet on Thursdays. These labs are an opportunity for you to gain hands-on experience in the studio while an instructor is present.   You will be able to address technical issues about the studio as well as any other issues encountered while working on your projects.

  • Further develop your technical skills in the studio: recording, editing, mixing, mastering, etc.
  • Apply these techniques through a series of compositional projects
  • Observe how other composers handle technical and compositional issues through critical listening and analysis of various pieces of electroacoustic music
  • Compose a substantial piece of electroacoustic music

VI. COURSE REQUIREMENTS AND GRADING:

20% -- Class participation

40% -- Projects

40% -- Final composition

 

Attendance is paramount to your success in this course. We are all adults and I expect you to treat this issue as an adult. It is impossible to reach your maximum potential if you don't come to class. Excessive tardiness is also unacceptable. It is not only harmful to your own success, but it is very disruptive to your fellow students. (5 or more absences may result in a lowering of your final grade)

Cheating is not tolerated. However, working in groups can be very beneficial. Playing your projects for other students and getting their feedback is strongly encouraged, but your projects should only include your own work.

All students are required to have a flash drive (or some other type of portable storage device). When saving your work to the computer, also save it to your drive. You are required to bring your drive to every class meeting in order to play your work for everyone to listen and give feedback. Continually saving your work to your drive also insures that your work is backed up.

Note: The University of Texas at Austin provides upon request appropriate academic accommodations for qualified students with disabilities. For more information, contact the Office of the Dean of Students at 471-6259, 471-4641 TTY.

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