Dr. Russell Pinkston, Director

The University of Texas at Austin's Electronic Music Studios (UTEMS) are among the most extensive and technologically advanced of any university in the country. Works created by U.T. faculty and student composers have been recorded on Centaur, CRI, Folkways, and other well-known contemporary music labels, and included on CDs produced by the International Computer Music Association and the Society for Electro-Acoustic Music in the United States (SEAMUS). They have also been performed at important conference and festivals all over the world, including the International Computer Music Conference, ISCM, SEAMUS and SCI Conferences, and the Bourges Festival, among others. The most recent UTEMS CD release is entitled "Music from The University of Texas Electronic Music Studios," and is Volume 20 of Centaur's prestigious CDCM series of works from major international Computer Music centers. It contains works by faculty composers Karl Korte and Russell Pinkston, along with works by four current or former students: Howard Fredrics, Jody Nagel, Mark Schultz, and Mark Wingate.

Research and development in areas such as real-time digital signal processing, interactive performance systems, and graphical user interfaces for software synthesis languages has been supported by grants from Analog Devices, Apple, High End Systems, IBM, Motorola, NeXT, Silicon Graphics, Texas Instruments, Yamaha International, and White Instruments, among others. Software and Hardware developed in the computer music research center has been presented at major conferences, including the International Computer Music Conference, SEAMUS, the Acoustical Society of America, Audio Engineering Society, EDUCOM, and various IBM Academic Computing Conferences, and published in the Computer Music Journal.


Awards and Prizes

  • 2 Prix de Rome Fellowships: Campion, Wingate
  • 7 Fulbright Fellowships: Fredrics, Kothman, Lopez, Nagel, Rudy, Smith, Wingate
  • 6 Prizes from Bourges Concours International de Musique Electronique (France), including 2 grand prizes: Anderson, Fredrics, Ingalls, Kapoulas, Montanaro, Wingate
  • NEA Composer Fellowship: Wingate
  • Stockholm Electronic Arts Award: Wingate
  • International Horn Society Prize: Schultz
  • Tampa Bay Composers' Forum Prize: Fredrics
  • Digital Arts Awards, Keio University, Japan: Bloland(winner), Pluta, Staefe (runners up)
  • Musica Nova Prize: Fredrics
  • 3 Luigi Russolo Prizes: Montanaro (1st prize); Fredrics and Smith (runners up)
  • Prix Noroit Prize (finalist): Hainsworth
  • Dong-Eui and ULSAN University Electro-Acoustic Music Prizes (Korea): Yeo
  • 14 ASCAP/SEAMUS Student Awards (8 winners, 6 honorable mentions): Anderson, Bloland, Cornelius, Fieldsteel, Fredrics, Ingalls, Lato, Lee, McGarity, McInturff, Moss, de Souza, Staefe, Wilson
  • 30 Recipients of Full-Time Teaching Positions Involving Electronic Music: Per Bloland, Dave Burdick, Ed Campion, Don Chamberlain, Rodolfo Coelho de Souza, Mark Dal Porto, Neil Flory, Howard Fredrics, Joseph Harchanko, Sun Ha Kim, Peter Knell, Keith Kothman, Hye Kyung Lee, Tom Lopez, Kristi McGarity, Rachel McInturff, Charles Menoche, Jody Nagel, Jamary Oliveira, Paul Richards, Paul Rudy, Mark Schultz, Nick Sibicky, Rob Smith, Jack Stamps, John Steffa, Jeff Stolet, Peter Terry, Mark Wingate, Young Hwan Yeo

Significant National/International Performances of Electro-Acoustic Works

  • International Computer Music Conference (Fredrics, Kapoulas, Rudy, Schultz, Stamps, Terry, Wingate)
  • ISCM/Copenhagen (Fredrics, Wingate)
  • ISCM/Seoul (Fredrics)
  • SEAMUS National Conference (Anderson, Bloland, Chamberlain, Cornelius, Dempster, Fieldsteel, Flory, Fredrics, Greene, Hainsworth, Harchanko, Ingalls, Kapoulas, Kim, Kothman, Lato, Lee, Lopez, McGarity, McInturff, Montanaro, Moss, Nagel, Pluta, Rice, Richards, Rudy, Sibicky, Smith, de Souza, Staefe, Terry, Thiel, Wilson, Wingate)
  • SCI National Conference (Harchanko, Lopez, Nagel, Schultz, McInturff, Hainsworth, McGarity, Montanaro)
  • SCI Regional Conferences (Fredrics, Hainsworth, Harchanko, Lee, Lopez, McGarity, Montanaro, Nagel, Rudy, Schultz, Smith)
  • Florida Electroacoustic Music Festival (Wingate, Fredrics, Rudy, Flory, Lopez, Martin, Hainsworth, Clark, McInturff, Petersen, Montanaro, de Souza, Nass, Harchanko)
  • Korean Electroacoustic Music Festival (Harchanko, Nass, Oh, Yeo)
  • Invited Solo Concerts: Wingate (Montreal), Fredrics (Helsinki)

Commercially Released Compact Disc Recordings

  • Beyond Noend with Errante: Nagel, Terry
  • Bourges Concours CDs: Anderson, Ingalls, Wingate
  • Centaur CDCM Volume 20 (Music from the University of Texas): Fredrics, Nagel, Schultz, Wingate
  • International Computer Music Conferece CD: Fredrics
  • SEAMUS CD Series: Anderson, Cornelius, Fredrics, Ingalls, Lato, Lee, Lopez, McInturff, Moss, Rice, McGarity
  • Summit Brass CD Dragons in the Sky: Mark Schultz
  • HEAR (Hungarian Radio), Otava (Finland), and Omnimusic labels: Fredrics


Eli Fieldsteel - TA for the Introductory Courses
Ethan Greene - Instructor for Introductory Courses
Zack Wilson - Facilities Coordinator and TA for Computer Music

There are four studios at UTEMS, all of which have been acoustically treated and contain high end Tannoy speaker systems:

EMS I is a single user facility that is reserved for students in the introductory courses. It has an iMac with a Digidesign 002 audio interface, several MIDI keyboards, and a variety of different audio software, It also contains some rare equipment including a Wavemaker and an Emu Modular Synth.

EMS II is designed to serve both as a classroom and an advanced production studio. It features a dual-booted Mac Pro (OS-X and Windows XP) with twin displays, Protools HD and Tascam FW-1884 audio interfaces, a Yamaha O2R digital mixer, Yamaha Disklavier upright, a large variety of audio software, a 52" LCD TV, vidoe projector and screen, and 5.1 Surround playback system.

EMS III contains essentially the same hardware and software as EMS II, but is a smaller room designed for a single user. It can also serve as the control room for recording sessions in EMS IV. It has a Tannoy quadriphonic playback system, as well as Genelec nearfield monitors

The primary functin of Studio IV is as a recording studio, with tie lines to Studio III, which can serve as a control room. When not in use for recording, it is designed to be used as a surround mixing facility. It is equipped with Tannoy System 215 DMT II and System 10 DMT II studio monitors.