Dr. Russell Pinkston, Director

The University of Texas at Austin's Electronic Music Studios (UTEMS) are among the most extensive and technologically advanced of any university in the country. Works created by U.T. faculty and student composers have been recorded on Centaur, CRI, Folkways, and other well-known contemporary music labels, and included on CDs produced by the International Computer Music Association and the Society for Electro-Acoustic Music in the United States (SEAMUS). They have also been performed at important conference and festivals all over the world, including the International Computer Music Conference, ISCM, SEAMUS and SCI Conferences, and the Bourges Festival, among others. The most recent UTEMS CD release is entitled "Music from The University of Texas Electronic Music Studios," and is Volume 20 of Centaur's prestigious CDCM series of works from major international Computer Music centers. It contains works by faculty composers Karl Korte and Russell Pinkston, along with works by four current or former students: Howard Fredrics, Jody Nagel, Mark Schultz, and Mark Wingate.

Research and development in areas such as real-time digital signal processing, interactive performance systems, and graphical user interfaces for software synthesis languages has been supported by grants from Analog Devices, Apple, High End Systems, IBM, Motorola, NeXT, Silicon Graphics, Texas Instruments, Yamaha International, and White Instruments, among others. Software and Hardware developed in the computer music research center has been presented at major conferences, including the International Computer Music Conference, SEAMUS, the Acoustical Society of America, Audio Engineering Society, EDUCOM, and various IBM Academic Computing Conferences, and published in the Computer Music Journal.


Awards and Prizes

  • 2 Prix de Rome Fellowships: Campion, Wingate
  • 7 Fulbright Fellowships: Fredrics, Kothman, Lopez, Nagel, Rudy, Smith, Wingate
  • 6 Prizes from Bourges Concours International de Musique Electronique (France), including 2 grand prizes: Anderson, Fredrics, Ingalls, Kapoulas, Montanaro, Wingate
  • NEA Composer Fellowship: Wingate
  • Stockholm Electronic Arts Award: Wingate
  • International Horn Society Prize: Schultz
  • Tampa Bay Composers' Forum Prize: Fredrics
  • Digital Arts Awards, Keio University, Japan: Bloland(winner), Pluta, Staefe (runners up)
  • Musica Nova Prize: Fredrics
  • 3 Luigi Russolo Prizes: Montanaro (1st prize); Fredrics and Smith (runners up)
  • Prix Noroit Prize (finalist): Hainsworth
  • Dong-Eui and ULSAN University Electro-Acoustic Music Prizes (Korea): Yeo
  • 8 ASCAP/SEAMUS Student Awards (5 winners, 3 honorable mentions): Anderson, Fredrics, Ingalls, Lee, McInturff, Moss, de Souza, McGarity
  • 24 Recipients of Full-Time Teaching Positions Involving Electronic Music: Dave Burdick, Ed Campion, Don Chamberlain, Rodolfo Coelho de Souza, Mark Dal Porto, Neil Flory, Howard Fredrics, Joseph Harchanko, Sun Ha Kim, Peter Knell, Keith Kothman, Tom Lopez, Rachel McInturff, Charles Menoche, Jody Nagel, Jamary Oliveira, Paul Richards, Paul Rudy, Mark Schultz, Rob Smith, John Steffa, Jeff Stolet, Peter Terry, Mark Wingate

Significant National/International Performances of Electro-Acoustic Works

  • International Computer Music Conference (Fredrics, Kapoulas, Schultz, Terry, Wingate)
  • ISCM/Copenhagen (Fredrics, Wingate)
  • ISCM/Seoul (Fredrics)
  • SEAMUS National Conference (Anderson, Bloland, Chamberlain, Dempster, Flory, Fredrics, Hainsworth, Harchanko, Ingalls, Kapoulas, Kim, Kothman, Lee, Lopez, McGarity, McInturff, Montanaro, Moss, Nagel, Pluta, Rice, Richards, Rudy, Smith, de Souza, Staefe, Terry, Thiel, Wingate)
  • SCI National Conference (Harchanko, Lopez, Nagel, Schultz, McInturff, Hainsworth, McGarity, Montanaro)
  • SCI Regional Conferences (Fredrics, Hainsworth, Harchanko, Lee, Lopez, McGarity, Montanaro, Nagel, Rudy, Schultz, Smith)
  • Florida Electroacoustic Music Festival (Wingate, Fredrics, Rudy, Flory, Lopez, Martin, Hainsworth, Clark, McInturff, Petersen, Montanaro, de Souza, Nass, Harchanko)
  • Korean Electroacoustic Music Festival (Harchanko, Nass, Oh, Yeo)
  • Invited Solo Concerts: Wingate (Montreal), Fredrics (Helsinki)

Commercially Released Compact Disc Recordings

  • Beyond Noend with Errante: Nagel, Terry
  • Bourges Concours CDs: Anderson, Ingalls, Wingate
  • Centaur CDCM Volume 20 (Music from the University of Texas): Fredrics, Nagel, Schultz, Wingate
  • International Computer Music Conferece CD: Fredrics
  • SEAMUS CD Series: Anderson, Fredrics, Ingalls, Lee, Lopez, McInturff, Moss, Rice, McGarity
  • Summit Brass CD Dragons in the Sky: Mark Schultz
  • HEAR (Hungarian Radio), Otava (Finland), and Omnimusic labels: Fredrics


Gregory Cornelius - EMS Facilities and Technology Coordinator, Webmaster, Advanced Courses TA
Nick Sibicky - Introductory Courses Assistant Instructor
Justin Sharp - Studio I, Introductory Courses TA

The Electronic Music Studios at The University of Texas comprise mainly of 4 studios. Studio I contains some rare equipment including the Serge Modular Synth and the Emu Modular Synth. This Lab is a single person workstation and is used mainly by the introductory courses.

Studio II & III are two single person work stations of the highest caliber. These two studios are mirrored in technology and have a quadraphonic sound setup.

Studio IV is a multi-station lab that is most often used as work areas for the Max/MSP and Csound courses. The recent addition of Iso-Boxes (sound isolation chambers for the CPU's) has made this a perfect test area for interactive technology as well as creating an inclusive community work environment.